‘Voices of 1956’ brings forgotten Queer Heroines of the struggle to life

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Through movement and music, ‘Voices of 1956’ gives long-overdue recognition to the queer women who stood on the frontlines of resistance – challenging erasure in both history and the arts.

'Voices of 1956' Brings Forgotten Queer Heroines of the Struggle to Life
ARTISTES: Performers in Voices of 1956, directed by Lusanda Dayimani, embody the strength and spirit of queer women who fought in the 1956 Women’s March and beyond. Image: Supplied

Directed and choreographed by visionary Dancer Lusanda Dayimani, this Khayelitsha township-born art project shines a spotlight on the silent cries, rage, and enduring resilience of the queer community, past and present.

Supported by the renowned Muholi Arts Institute (MAI) and Professor Zanele Muholi, the production is presented by LD Dance Studios and promises to ignite conversations on identity, heritage, and social justice, making it a timely beacon for media and audiences alike.

Set against the backdrop of South Africa’s historic 1956 Women’s March, Voices of 1956 uses dance as a transformative tool to portray the profound impact of these forgotten queer voices on global queer women’s freedom.

The piece delves into a deeply personal and cultural journey, exploring the sacred bonds between the living and the ancestors through spiritual, raw movements that echo inner pain, ancestral memory, and the evolution of societal traditions.

 As the narrative unfolds, it mirrors the shifting tides of struggle, from the apartheid era to today’s queer challenges, inviting viewers to confront discomfort and celebrate triumph.

“This work is my love letter to the queer women whose bravery was erased from history books, yet whose spirits continue to fuel our fight for equality,” said director Lusanda Dayimani.

As a flagship township art development project, Voices of 1956 exemplifies the vital role of grassroots creativity in empowering marginalized voices.

The production is proudly supported by the Muholi Art Institute (MAI), founded by acclaimed visual activist Professor Zanele Muholi.

It is set the MAI is at the forefront of fostering artistic growth in black communities across South Africa, investing in initiatives that amplify underrepresented narratives and build sustainable creative ecosystems.

“Through every gesture and breath, we’re channelling their rage and resilience, reminding us that the march for rights never truly ends, it’s woven into our very identity.”

Uplifting black queer stories

MAI runs projects in rural and urban areas. These projects help new black artists by providing platforms, resources, and mentorship. They ensure stories like those in Voices of 1956 reach global audiences. This inspires lasting change.

Dayimani added, “Working with MAI has been a game-changer for this project. It’s not just support; it’s a commitment to uplifting black queer stories from the townships.

“We’re proving that art from the margins can reshape the centre, and I hope this piece sparks a nationwide dialogue on inclusion and heritage.”

The stellar cast brings this vision to life: Thumeka Mzayiya, Siphosethu Gojo, Ndimphiwe Makateng, Babalwa Potelwa, and Anelisa Ndzena deliver captivating performances that blend theatre acting with dynamic choreography.

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With guidance from dramaturg Lwanda Sindaphi and lighting designer Bamanye Yeko, this production shines. Thandeka Kakaza helped with research. It is a successful collaboration based in the community.

Performances will take place at the Azande Theatre Village in 4 Sivivane Makhaza, Khayelitsha, Cape Town.

– Friday, November 7, 2025, at 18:00

– Saturday, November 8, 2025, at 17:00

– Sunday, November 9, 2025, at 16:00

Tickets are affordably priced at R50, making this transformative experience accessible to all. Those who want to book they can call 069 236 9053 or WhatsApp 060 380 5666.

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